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  • More
    • Home
    • About Us
    • Calendar
    • Links
    • Exhibits
      • Town Hall "Time"
      • Our Best Shots 2024
      • Town Hall "Tug Fest ‘24"
      • Town Hall "Still Life"
      • Town Hall "Birds"
      • Members Exhibit 2023
      • Tom Hackett Exhibit
      • Town Hall "Windows"
      • Town Hall "Close Up"
      • Town of Esopus "Emotions"
      • Still Life (New!)
      • Bridges
      • Reflections
      • Art of Nature
    • Competitions
      • Competition - Seasons
      • November BW Competition
      • Critique
      • Competition Guidelines
      • Resizing & Renaming
      • Smartphones
    • Photo Ops
  • Home
  • About Us
  • Calendar
  • Links
  • Exhibits
    • Town Hall "Time"
    • Our Best Shots 2024
    • Town Hall "Tug Fest ‘24"
    • Town Hall "Still Life"
    • Town Hall "Birds"
    • Members Exhibit 2023
    • Tom Hackett Exhibit
    • Town Hall "Windows"
    • Town Hall "Close Up"
    • Town of Esopus "Emotions"
    • Still Life (New!)
    • Bridges
    • Reflections
    • Art of Nature
  • Competitions
    • Competition - Seasons
    • November BW Competition
    • Critique
    • Competition Guidelines
    • Resizing & Renaming
    • Smartphones
  • Photo Ops

Critique

The Purpose . . .

. . . of critique is help photographers improve their work through a better understanding and proficiency in the technical aspects of photography and visual literacy. It should do so in a way that respects and nurtures their individuality and personal vision.
  Critique should open the photographer's thought process. It should not be an attempt to change the photographer into a clone of the assessor - the very curse to creativity. To this end, it is essential to determine the photographer's purpose. Was it to be a clinical study, story illustration, social  documentary, fine art piece or perhaps an entry for a competition? Only then can the critique be properly focused to assist the photographer along an effective learning path. 

Critique Guidelines

 TECHNICAL QUALITY Editors, judges and evaluators all agree: a successful photographic image must have good technical quality to start with.  

  • FOCUS: Is the image sharp? If not, is it intentionally soft and successful? 
  • CLEANLINESS: Is it free of scratches, dust spots, stains, lens flare, etc? 
  • EXPOSURE: Is it too light, too dark or just right? 
  • LIGHTING: Does the lighting have too much contrast, is it flat or just right? 
  • COLORS: Does it have neutral colors or a color cast that degrades the image? 


COMPOSITION Affected by the camera viewpoint and focal length of the lens. It can raise an image from a technical success to an artistic success!  

  • BALANCE: Is the image aligned correctly or is it crooked? 
  • LOGIC: Is the arrangement of the visual elements effective? 
  • PURPOSE: Is there a strong centre of interest, pattern or design? 
  • CLARITY: Is it simple, yet complete and without distracting elements?


 EMOTIONAL APPEAL The vital element for a truly great image, making it unique and memorable.  

  • DYNAMIC: Does it grab and keep your attention?   Does it have the "wow" factor? 
  • PROVOCATIVE: Does it excite your imagination, or create a strong emotion in you? 
  • CREATIVE: Does it show a familiar subject in a new, unusual and yet effective way? 
  • UNUSUAL: Does it show a very unusual subject in an effective way? 

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Copyright © 2017 Ulster County Photography Club - All Rights Reserved.

A Community Organization to promote Photography

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